Bernini and other studies in the history of art by Richard Norton

(1 User reviews)   257
By Hazel Chavez Posted on Apr 1, 2026
In Category - Memoir
Norton, Richard, 1872-1918 Norton, Richard, 1872-1918
English
Hey, I just finished this old book about art history that feels like a time capsule. It's called 'Bernini and other studies in the history of art' by Richard Norton. Published in 1914, it's less a traditional story and more a collection of essays. The main thing that got me was the author himself. Norton was this Harvard professor who died young in 1918, and you can feel his passion for Italian Renaissance and Baroque art jumping off the page. He writes about Bernini's sculptures with such vivid detail, it's like he's trying to make you see the marble move. The 'mystery' here isn't a plot twist, but the feeling of listening to a brilliant, enthusiastic voice from over a century ago, explaining why these artworks mattered so much. It's a direct line to how people thought about art before World War I changed everything. If you've ever stared at a photo of Bernini's 'Ecstasy of Saint Teresa' and wondered what the big deal was, Norton is the guide who wants to tell you.
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Let's be clear from the start: this isn't a novel. Bernini and other studies in the history of art is exactly what the title says—a series of academic essays published in 1914. Richard Norton, a professor of archaeology at Harvard, gathered his thoughts on Italian art, with a heavy focus on the Baroque genius Gian Lorenzo Bernini.

The Story

There's no plot in the usual sense. Instead, Norton takes you on a tour of art he loves. He spends a lot of time on Bernini, breaking down famous works like the baldachin in St. Peter's Basilica or the sculpture of Saint Teresa. He doesn't just describe them; he analyzes their drama, their emotion, and their place in the history of style. Other essays touch on artists like Michelangelo and Donatello, and he explores broader themes like how tombs and memorials were designed. The 'story' is the journey of his expert eye, pointing out details and connections you might miss.

Why You Should Read It

I loved this book for its voice. Norton's writing is surprisingly accessible for its time. He's not a dry textbook writer; he's a fan. You can feel his excitement when he describes the swirling robes in a Bernini statue or the power in a Michelangelo drawing. Reading it feels like sitting in a cozy, wood-paneled library listening to a passionate professor. It gives you a fascinating snapshot of art criticism from the early 1900s—what scholars valued, how they interpreted things. It makes you look at familiar artworks with a slightly different, historical perspective.

Final Verdict

This is a niche pick, but a rewarding one. It's perfect for art history enthusiasts who want to go beyond modern textbooks and hear an early 20th-century expert's take. It's also great for anyone visiting Rome who wants to deepen their appreciation of Bernini's work. If you need a fast-paced narrative, look elsewhere. But if you enjoy thoughtful, passionate analysis from a lost era of scholarship, Norton's book is a quiet little treasure. Just be ready for its age—some ideas are very much of their time, and that's part of what makes it interesting.



📚 Open Access

This text is dedicated to the public domain. It is now common property for all to enjoy.

James Garcia
4 months ago

Finally a version with clear text and no errors.

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4 out of 5 (1 User reviews )

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